Tag: wine tasting

Every Grape is Different — Notes from a Vineyard Conference

 The Virginia Vineyards Association brings together commercial grape growers, hobbyists and others with an interest in viticulture, and its efforts to promote cooperation and the exchange of information  is one of the reasons that the Commonwealth’s wine gets better every year.  I believe, and I think most of the growers who participated in the association’s technical meeting in Charlottesville last week would agree, that the reputation of Virginia wine is influenced by every bottle that’s sold.  If someone has a bad experience the first time they taste a Virginia wine, they may never try another.  So all of us have a vested interest in doing what we can to help each other make the best wine possible. 

Seven glasses ready for tasting. The bottle of “SanTasti” is a palate cleanser.

  Another reason for the success of the Virginia wine industry is the work that’s being done at Virginia Tech by folks like Tony Wolf, Bruce Zoecklein, and Mizuho Nita, all of whom played major roles at the meeting.  Tony Wolf’s book, Wine Grape Production Guide for Eastern North America, has become our bible as we move toward planting a small hobby vineyard, and Mizuho Nita’s blog is the indispensible guide to grape disease management.  

  However, this was my first encounter with Dr. Zoecklein, and I’m hopeful now that it won’t be my last.  Dr. Zoecklein has written the book (actually, at least four books and too many articles to count) on wine chemistry, and he manages to make the chemistry both accessible and practical for people like me.  And since this was a class on “Sensory Evaluation for Grape Growers,” he taught the class through the tastes and aromas of seven separate wines, which we tasted blind throughout the class. Continue Reading–>

February 5, 2012 | By | Reply More

Five Vintages of Cab Franc at Gadino Cellars

 

   As I’ve said before, I believe that Cabernet Franc is Virginia’s signature red grape, even if Petit Verdot iscoming on strong.  It is more cold-hardy than Merlot or Cabernet Sauvignon, and it ripens earlier.  That’s important in Virginia, which can be prone to early frost, Fall rains, and the occasional harsh winter.  And Cab Franc is a wonderful grape on its own.  It has softer tannins than Cab Sauv, and while it might not be quite as age-worthy, wines today are being made (and

Five Vintages of Cab Franc waiting to be poured, along with a mystery wine, hidden in brown bags for blind tasting

purchased) for early drinking, not for years in the cellar.  Cab Franc will age, of course, but it is also more accessible when young than the more tannic reds.  And Cab Franc can be used on its own or as a blend to make wines with great complexity, as the great St. Emilion blend, Cheval Blanc, demonstrates. 

 Cab Frank is particularly important to my wife, the Vineyard Goddess, and me, because it’s one of three grapes we will be planting this Spring, the other two being Petit Verdot and Viognier.  (We had hoped to plant Petit Manseng as well, but couldn’t find the certified vines we wanted.)

 So, I was thrilled to have the opportunity Saturday to participate in a vertical tasting of Cab Francs at Gadino Cellars in Washington, VA (Rappahannock County).  We tasted wines from 2005, 2006, 2007, 2008, and 2009, plus a barrel sample of the 2011.  The Gadinos threw in a mystery wine, which we tasted blind.  More on the mystery wine later. Continue Reading–>

January 30, 2012 | By | 2 Replies More

WBC11: A Conference for Wine Bloggers -Part II

When I signed up for the North American Wine Bloggers Conference, I had just assumed, without really giving it much thought, that it would be a conference mostly about the art and practice of blogging, made into a wine blogger conference by the shared interest of those attending.  In fact, it was mostly about wine, with a few sessions devoted to the practice of blogging.

Thank God for that.

What was I thinking?  Of course, it should be about the wine.  After all, I get a regular stream of solicitations at the office for conferences focused on the how-to of social media, so that market is apparently covered.  The wine blogger conference market, however, is another story, and WBC11 catered to it in so many ways, especially by providing am abundance of opportunities to taste wines – Virginia wine in particular, I’m happy to say – and hear from the men and women who grew the grapes and turned them into wine.  That’s something you just can’t get just anywhere else. Continue Reading–>

August 3, 2011 | By | 1 Reply More

Not just a tasting room: Touring Sonoma’s Wine Valleys

Last week, the UPS truck brought a box of wine from California, reminding me just how late I am in writing something about our tour of Sonoma's Russian River and Dry Creek Valleys.  The box contained bottles we had purchased in visits to five separate vineyards, and each told its own story — one of terroir, another of organic viticulture methods, and yet another of vines that were planted in the century before the last one.

It was a wonder that we ended up collecting any of these bottles and their stories.  When we first started planning the tour, I had thought we might visit some of the vineyards that make wines I know and like, such as Simi, a Healdsburg-based winery that makes a Cab I enjoy.  But we signed up with Valley Wine Tours, and in the weeks leading up to the trip, I exchanged a series of emails with our tour guide, Bob Howells, who helped me think through the options.  "We can go there," he said about one of my choices.  "But it's just a tasting room."

That made sense.   We were looking for something more than another tasting room experience.  As we get closer to planting vines (beyond the 14 experimental vines we are tending on two different properties), our primary focus is on educational opportunies.

What we were looking for on this trip were wineries where we'd have an opportunity to chat with winemakers, vineyard managers and owners.  Until my email exchange with Bob, it hadn't occured to me that we wouldn't get that at the larger wineries that ship back to the east coast.

After providing that bit of counsel, Bob was extremely helpful in planning our itinerary.  I was particularly interested in three Sonoma AVAs — the Alexander Valley, Dry Creek Valley and the Russian River Valley — and he provided a list of six vineyards for each.  After a couple of hours of research at Total Wines in Chantilly, I discovered that the wines from these vineyards were generally not available in stores on the east coast.

So far, so good, then.  We would visit wineries that we would otherwise never experience. We decided to eliminate Alexander Valley, even though it is a great terroir for Cabernet, my favorite grape varietal.  We couldn't do all three, and Bob said it would be easier to get the experience we were looking for in the other two AVAs.   And he promised we would have an opportunity to discuss wine with knowledgable people who are passionate about what they do.

We visted five wineries that day: Martinelli Winery, Inman Family Wines, Battaglini Estate Winery, Talty Vineyards and Winery, and Truett-Hurst Vineyards. We loved them all, each for different reasons and each because it contributed in a different way to our education.  Martinelli, for example — perhaps the largest of the vineyards we visited — was all about terroir.  The Martinelli family has more than 300 acres planted, but only 15 percent goes to their own labels, while the rest is sold to other wineries.  We tasted Chardonnays from three separate vineyards that are part of their property, and each was distinctly different.  The Woolsey Road vineyard, for example, is a packed-clay soil, and the wine had pronounced mineral notes, while the Three Sisters vineyard, more of a sandy loam soil, featured a much softer, more buttery Chard.

While I liked all five vineyards, I'll focus on two here, Inman and Battaglini.  Both were extemely generous with their time, and both offered the kind of unique educational experience we were seeking.

Inman Family Wines is a small, family-run vineyard and winery focused on the production of elegant Pinot Noirs.

We bumped into Kathleen Inman even before we got into the winery.  She was busy arranging outdoor furniture to prepare for the day's visitors, but she took out an hour of her time out to talk to us about  the vineyard.  Kathleen is big into organic viticulture, and she discussed the organic sprays they use, which are not as easy to find as the non-organic variety and significantly more expensive.  Some of the vineyard consultants I've talked to back on the east coast are dismissive of organic sprays, but Kathleen is getting great results.

We spent some time talking about canopy management, including her determination to remove all lateral shoots from the vines.  Laterals are extraneous shoots situatued just above a leaf, which are in a sense "a shoot coming out ot a shoot."  The leaf is valuable, since it contributes to photosynthesis.  The lateral simply drains energy from the vine.  In addition, removing laterals provides a bigger bang for the buck when thinning the canopy.  Pulling a lateral removes three or more leaves at once, compared to the removal of a single leaf.  Kathleen also showed us the equipment she uses to make "compost tea," a liquid brewed from compost that can be used to add nutriets to the soil or to protect the canopy from disease.

Pinot Noir vines just off the patio next to Inman's winery.

One surprise:  To the maximum extent possible, Inman uses natural yeasts, the yeasts that are present on the skin of the grapes.  Many, perhaps most winemakers, prefer to kill the natural yeast with potassium metabisulphite, and then add a specific commerically-made yeast to start the fermentation.  I don't think I would have the courage to rely on natural yeasts, but after tasting the wine, I don't see how anyone can argue with Kathleen's methods.

And yes, we finally did get around to tasting.  We were thrilled in particular with the Pinots, which were lush and balanced with nice acidity — perfect for food.  Pinot Noir is one of the most difficult grapes to grow, and Kathleen's passion for Pinot Noir is clearly evident in her wines.  In addition to some Chardonnay, we purchased the 2007 Thorn Ridge Pinot Noir.  While I don't pretend to have the world's most sophisticated sense of smell or taste, I picked up blackberry and dark fruit on the nose, and tasted dark cherry in particular on the palate. A fabulous Pinot.

Joe Battaglini's tasting room looks like a page out of a history book. Nothing fancy, but the wine and Joe's company are what counts here.

At Battaglini, we tasted Zinfidels that gave new meaning to the words, "old vine."  Owner Joe Battaglini, who hails originally from Luca, Italy, purchased 30 acres in the Russian River valley in 1998, inheriting vines that are now 126 years old.

This is a one-of-a-kind operation.  The tasting room is a small corner of what appears to be an old shed, decked out with pictures of Luca, Rome and other Italian cities, plus the many ribbons he's won in wine competitions over the years.   After tasting, and before lunch, which we ate at a shaded table outside the tasting room, Joe took us on a tour of the vineyard.  The old vines produce very little in the way of grapes, and a corporate-owned winery would have torn them out years ago in favor of young, higher-productivity vines.  Joe dotes on his old vines, even giving them names.  One, for example, looks like a huge chair, and so Joe named it "the throne."

An old Zinfandel vine.  Note the thick trunk and lack of tellising.The first thing you notice about the old vines is the lack of trellising.  "That's how it was done back then, and how it was when I bought the vineyard," he said.  "I didn't want to change anything."

Of course, some things are changing.  A modern tasting room is under construction.  I suppose it will serve the needs of the winery better, but I can't help but think it will lack the charm of the little shed with the bar and the photos, which remains locked until visitors show up and Joe comes out to greet them.  The winery itself is also modern, and after we finished eating the picnic lunch Bob had brought for us, Joe popped out again and offered us a tour.

At the winery, you can choose from 28 Zinfandels, six Petite Sirahs and four Chardonnays.  Not a bad selection.  We bought a half dozen Zins, and have already enjoyed one.  They're ageworthy, but I doubt they'll get that opportunity.

Finally, returning to the sub-theme of this post, the afternoon before this tour, we passed by the Benziger Family Winery after a visit to the Jack London state park (which includes a great museum, with lots of history related to this uniquely American writer) and decided to stop in.  We've been there once before, and enjoyed it thoroughly.  On our last visit, we took advantage of the tram tour, which shuttles you through the vineyard and on to the crush pad, the fermentation facility and the barrel caves.  If you don't take the tram tour, you can still wander through the biodynamic vineyard exhibit, a garden-like setting that explains the vinyeard's green approach to growing grapes.

Looking at the biodynamic vineyard exhibit

This time, we arrived shortly before closing, and had time for a tasting only.  It was $10 (perhaps a bit steep?), but the wines were good and the setting quite pleasant.  Our server was articulate and friendly, and I asked him how long he had been working at Benziger.  Thirteen weeks, he said, which explained why he didn't know much more than might have been contained on a script.  He wasn't bad, by any means, just not knowledgeable enough to go beyond some basics on each of the wines.

Which made me realize, a day before we began our tour, how right Bob had been in steering me away from a winery I loved that would have been "just a tasting room," in favor of experiences I'll remember for the rest of my life.

 

 

June 29, 2011 | By | 2 Replies More

2010 Chateau Pavie: A Wine that is either Amazing or Awful

Eric Asimov, the New York Times wine critic, blogged last week about a controversy over the 2010 Chateau Pavie, which is considered one of the great wines from St. Emilion.  In his May 24 post, Mr. Asimov compares Robert Parker's rave review of the wine (tasted as a barrel sample) with that of John Gilman, whose web-only publication, A View from the Cellar, represents a new generation of wine criticism.

So, two critics, one wine.  You'd think the reviews would at least be in the same ballpark.  But you'd be wrong.  Parker rates it as nearly perfect, and Gilman describes it as "absurdly overripe, unpleasant to taste and patently out of balance."  And that's just for starters.  Continue Reading–>

May 29, 2011 | By | Reply More

Books: How Robert Parker Overthrew the Wine Establishment

The Emperor of Wine: The Rise of Robert M. Parker, Jr., and the Reign of American Taste

It’s hard to overestimate Robert Parker’s influence on the wine we drink. Best known for developing the 100-point rating system, Parker’s Wine Advocate newsletter became so influential that winemakers consciously made wines to suit his taste for big, high-alcohol wines with power and intensity. Consultants that he was known to like were in high-demand by wineries, and wines that he praised in the Wine Advocate could sell out almost as soon as they arrived in stores. Continue Reading–>

April 30, 2011 | By | 2 Replies More
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